ONE:Before daybreak, in the doubtful light of waning night, dim masses are visiblegrey and purple mountainsmountains shaped like temples, of which two indeed seem to be crowned with low squat towers as if unfinished.
TWO:The road lay among flowers, all-pervading; in the fields, on the rocks, on the road itself, pink flowers or lavender or white; bright moss, shrubs and trees in full bloom, and hovering over them birds of changing hue and golden butterflies.In a very quiet little alley, fragrant of sandal-wood, men may be seen in open stalls printing patterns with primitive wooden stamps, always the same, on very thin silk, which shrinks into a twisted cord reduced to nothing when it is stretched out to dry.
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TWO:
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THREE:Colombo again; and again the jewellers and their blue stonesan intoxicating, living blue.We set out from Srinagar in an ekka, drawn at a trot by our only horse. The driver, perched on the shaft almost by his steed's side, dressed in green with an enormous pink pugaree, flogged and shouted incessantly. The monotonous landscape went on and on between the poplars that border the road, extending as far as the blue circle of distant Himalayas. The valley was green with the first growth of spring; as yet there were no flowers. And till evening fell, the same horizon shut us in with mountains that seemed to recede from us.
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
THREE:
FORE:Then, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped.
THREE:The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.
FORE:A poor sick ape, beaten by all the others, sat crying with hunger at the top of a parapet. I called her for a long time, showing her some maize on a tray. At last she made up her mind to come down. With the utmost caution she reached me, and then, after two or three feints, she struck the platter with her closed fist, sending all the grain flying. Utterly scared, she fled, followed to her perch by a whole party of miscreants roused by the gong-like blow on the tray. Others stole into the temple to snatch the flowers while the attendant priest had his back turned; and when I left they were all busily engaged in rolling an earthenware bowl about, ending its career in a smash. In front of the temple the crimson dust round a stake shows the spot where every day the blood is shed of a goat sacrificed to the Divinity.
THREE:
FORE:In the twilight of the great galleries the gods are assembled in groups, standing or sitting, rigid or contorted into epileptic attitudes, and thin bodies of human aspect end in legs or arms resembling serpents or huge fins, rather than natural limbs: Kali, the eight-armed goddess, leaping in the midst of daggers, performing a straddling dance while she holds up a tiny corpse on the point of the short sword she brandishes; impassible Sivas wearing a tall mitre; Krishna playing the flute to the thousand virgins who are in love with him, and who fade into perspective on the panel. And every divinity has eyes of jade, or of white plaster, hideously visible against the pale grey stone softly polished by time.As we returned past a villagea hamlet of houses gathering round a well surmounted by a kiosk shading a gaudy idol crowned with red[Pg 176] pinksa perfectly naked fakir, his straight black hair bound twice round his head like a turban, stood basking in the sun, leaning against a wall, and chanting in a rapid monotone, while two babies, under the shade of a fan-palm leaf, stared up at him and sucked their thumbs.
THREE:
FORE:Colaba is the port; the docks, with tall houses between the enormous warehouses. The silence is appalling; windows, doorsall are closed. Only a few coolies hurry by in the white sunshine, with[Pg 13] handkerchiefs over their mouths to protect them against the infection in these streets, whence came the plague which stole at first through the suburbs, nearer and nearer to the heart of the city, driving the maddened populace before it.
THREE:Words and more words for an hour, till one of them stooping down took up a handful of sand and flung it to the earth again at her feet. The other, at this crowning insult, which, being interpreted, conveys, "There, that is how I treat you! like sand thrown down to be trodden on," covered her face with her sleeves and fled howling.
Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.
THREE:A roofless mausoleum is that of the Sultan[Pg 221] Altamsh, who desired to sleep for ever with no vault over his tomb but that of the heavens; a vast hall, its walls wrought with inscriptions in Persian, Hindostanee, and Arabic, built of brick-red granite and yellow marble softened to pale orange in the golden sunshine. Here and there traces may be seen of wall-paintings, green and blue, but quite faded, and now merely a darker shadow round the incised ornament. Hibiscus shrubs mingle their branches over the tomb and drop large blood-red blossoms on the stone sarcophagus. Further on is another mausoleum, in such good preservation that it has been utilized as a bungalow for some official.
Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.
THREE:Presently three beggar-women came up to sing from door to door. In their arms, like babies at the breast, they carried shapeless idols painted red, bedizened with spangles and gilt paper. They wailed out a ditty repeated again and again, knocked perseveringly at the doors, insisting on alms; and[Pg 96] then, when they had received it, they touched the threshold with their blood-coloured puppets and departed.
Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.
Our Work
FORE:Abibulla saw them off with great deference and a contrite air, and watched their retreat; then, as[Pg 260] I was about to send him to despatch the message, he was indignant. The police! What could they do to a sahib like me? It was all very well to frighten poor folksit was a sin to waste money in asking for a reply which I should never be called upon to showand so he went on, till I made up my mind to think no more of the matter. And whenever I met the chief at the bazaar or by the Jellum, he only asked after my health and my amusements.
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There is a never-ending traffic of elephants, baggage-camels, and vehicles with shouting drivers; and on the ground are spread heaps of fruit, baskets for sale, glass baubles and weapons. In all the pink and white throng not an European dress is to be seen, not even one of the vile compounds adopted by the baboo, a striped flannel jacket over the dhoti. Men and women alike wear necklaces of flowers, or flowers in their hair; the children are gaudy with trinkets and glass beads.Another mausoleum is of lace-like carving in marble, the roof painted with Persian ornament; and the whole thing is uninjured, as fresh as if it had been wrought yesterday, under the broad shade of theobromas and cedars that have grown up among the ruins.The other victim, the night watchman of a neighbouring village, was suspected of treachery towards the hill-tribes in a recent skirmish. One ball through the head had killed him, and his arms had been cut off.Round the railway station crowds the village of Chandernagore, the huts close together, with no land to spare, and at length we were in the city of houses, with broad terraces in front in a classic style, with colonnades and decorations in relief, and broad eaves overhanging for shade. And beautiful gardens, bougainvilleas, and almond trees, white-blossomed faintly touched with pink, hedge in streets with foreign-sounding names. The air was full of the fresh scent of water and greenery and of the blessed peace of silenceso rare in India.There are women, too, in the throng of men, but fewer in number. Parsee ladies, draped in light sarees of pale-hued muslin bordered with black, which shroud them entirely, being drawn closely over the narrow skirt, crossed several times over the bosom, and thrown over the right shoulder to cover the head and fall lightly on the left shoulder. Hindoo women, scarcely clothed in red stuff, faded in places to a strong pink; a very skimpy bodice, the chol, embroidered with silk and spangles, covers the bust, leaving the arms and bosom free; a piece of thin cotton stuff, drawn round the legs and twisted about the waist, covers the shoulders and head, like a shawl. On their wrists and ankles are silver bangles; they have rings on their fingers and toes, broad necklaces with pendants, earrings, and a sort of stud of gold or copper, with coloured stones, through the left nostril. They go barefoot, pliant[Pg 8] forms avoiding the jostling of the crowd, and carrying on their head a pile of copper pots one above another, shining like gold, and scarcely held by one slender arm with its bangles glittering in the sun. The tinkle of the nanparas on their ankles keeps time with their swinging and infinitely graceful gait, and a scent of jasmine and sandal-wood is wafted from their light raiment. Moslem women, wrapped from head to foot in sacks of thick white calico, with a muslin blind over their eyes, toddle awkwardly one behind the other, generally two or three together. Native children beg, pursuing the passenger under the very feet of the horses; their sharp voices louder than the hubbub of shouts, bells, and gongs, which exhausts and stultifies, and finally intoxicates the brain.
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